Henry Miller
To be born in the street means to wander all your life, to be free. It means accident and incident, drama, movement. It means above all dream. A harmony of irrelevant facts which gives to your wandering a metaphysical certitude. In the street you learn what human beings really are; otherwise, or afterwards, you invent them. What is not in the open street is false, derived, that is to say literature. Nothing of what is called "adventure" ever approaches the flavor of the street. It doesn't matter whether you fly to the Pole, whether you sit on the floor of the ocean with a pad in your hand, whether you pull up nine cities one after the other, or whether, like Kurtz, you sail up the river and go mad. No matter how exciting, how intolerable the situation, there are always exits, always ameliorations, comforts, compensations, newspapers, religions. But once there was none of this. Once you were free, wild, murderous....
From Black Spring, The Fourteenth Ward
No more peeping through keyholes ! No more masturbating in the dark ! No more public confessions ! Unscrew the doors from their jambs ! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I'm sick at looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don't want to watch young virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter. I want Madagascan funeral poles, with animal upon animal and at the top Adam and Eve, and Eve with a crude, honest slit between the legs. I want hermaphrodites who are real hermaphrodites, and not make-believes walking around with an atrophied penis or dried-up cunt. I want a classic purity, where dung is dung and angels are angels. The Bible a la King James, for example. Not the Bible of Wycliffe, not the Vulgate, not the Greek, not the Hebrew, but the glorious death-dealing Bible that was created when the English language was in flower, when a vocabulary of twenty thousand words sufficed to build a monument for all time. A Bible written in Svenska, or Tegalic, a Bible for the Hottentots, or the Chinese, a Bible that has to meander through the trickling sands of French is no Bible --- it is a counterfeit and a fraud. The King James version was created by a race of bone-crushers. It revives the primitive mysteries, revives rape, murder, incest, revives epilepsy, sadism, megalomania, revives demons, angels, dragons, leviathans, revives magic, exorcism, contagion, incantation, revives fratricide, regicide, patricide, suicide, revives hypnotism, anarchism, somnambulism, revives the song, the dance, the act, revives the mantic, the chthonian, the arcane, the mysterious, revives the power, the evil, and the glory that is God. All brought into the open on a colossal scale, and so salted and spiced that it will last until the next Ice Age.
From Black Spring, A Saturday Afternoon
When I look down into this fucked-out cunt of a whore I feel the whole world beneath me, a world tottering and crumbling, a world used up and polished like a leper's skull. If there were a man who dared to say all that he thought of this world there would not be left him a square foot of ground to stand on. When a man appears the world bears down on him and breaks his back. There are always too many rotten pillars left standing, too much festering humanity for man to bloom. The superstructure is a lie and the foundation is a huge quaking fear. If at intervals of centuries there does appear a man with a desperate, hungry look in his eye, a man that would turn the world upside down in order to create a new race, the love that he brings to the world is turned to bile and he becomes a scourge. If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.
From Tropic Of Cancer
She wants to go. To go.... Again her haunch, that slippery glide as when she came down from the dance hall and moved into me. Again her words . . . "suddenly. for no reason at all, he bent down and lifted up my dress." She's slipping the fur around her neck; the little black bonnet sets her face off like a cameo. The round, full face, with Slavic cheekbones. How could I dream this, never having seen it? How could I know that she would rise like this, close and full, the face full white and blooming like a magnolia? I tremble as the fullness of her thigh brushes me. She seems even a little taller than I, though she is not. It's the way she holds her chin. She doesn't notice where she's walking. She walks over things, on, on, with eyes wide open and staring into space. No past, no future. Even the present seems dubious. The self seems to have left her, and the body rushes forward, the neck full and taut, white as the face, full like the face. The talk goes on, in that low, throaty voice. No beginning, no end. I'm aware not of time nor the passing of time, but of timelessness. She's got the little womb in the throat hooked up to the big womb in the pelvis. The cab is at the curb and she is still chewing the cosmological chaff of the outer ego. I pick up the speaking tube and connect with the double uterus. Hello, hello, are you there? Let's go! Let's get on with it--cabs, boats, trains, naphtha launches; beaches, bedbugs, highways, byways, ruins; relics, old world, new world, pier, jetty; the high forceps, the swinging trapeze, the ditch, the delta, the alligators, the crocodiles, talk, talk, and more talk; then roads again and more dust in the eyes, more rainbows, more cloudbursts, more breakfast foods, more creams, more lotions. And when all the roads have been traversed and there is left only the dust of our frantic feet there will still remain the memory of your large full face so white, and the wide mouth with fresh lips parted, the teeth chalk white and each one perfect, and in this remembrance nothing can possibly change because this, like your teeth, is perfect....
From Tropic Of Capricorn